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(We choose not to use any image for this
article, especially the caricatures.)
The recent caricaturing Hz.
Muhammed (S.A.V.)
has sparked heated and violent debate within the international agenda.
Journalists from Denmark and authorities from the Arab Muslim World have
rendered their opinions, evaluating the case from different perspectives. On
the one hand, Danish journalists have highlighted the importance of freedom
of speech, while on the other hand, many within the Muslim world have
condemned what they view as an insult to their religion – some Arab
authorities have even declared a Jihad (holy war) against those responsible
for the caricatures. Much has been said regarding the incident, and many
questions asked, but certain issues have yet to be addressed. Without
aligning myself with either position in the debate, I will turn to these
issues and attempt to speak to them here.
If we look at caricatures by Kurt Wastergaard, Rasmus Sand Hoyer, Annette
Carlsen, Peter Bundgaard and Franz Fuchsel, a common point that emerges
among them is their portrayal of Hz.
Muhammed
(Mohammad in English)
as an evil deviant identity who is responsible for leading terrorist Muslim
groups. In Wastergaard’s caricature, Hz.
Muhammed’s turban takes the shape of a bomb, drawn with dark black colors
which give the impression that the Muslim World presents a threat. Jens
Julius preferred to touch upon moral values and thus depicted Hz.
Muhammed
as a leader of a sexually deviant group that is searching the world for
virgins to rape.
Looking at these caricatures, I could see no traces of the humor or insight
that I normally find in caricatures. Generally, newspaper caricatures poke
fun at political leaders, revealing both the intelligence and the sense of
humour of the artist. Although it was unacceptable to traditional moral
values, even
Mr.
Erdogan’s
(The Prime Minister Of Turkiye)
caricatures offered a touch of humor. It is also possible to see the humor
in the caricatures of Arne Sorenson, Bob Katzennelson and Paul Eric Paulsen.
But the other caricatures just remind us of hatred, threat, terrorist
attacks, and label Muslims as threat to the rest of the world. From where I
stand, it is possible to smile when looking at these caricatures. If we
think of a caricature as a gun, these artists have attacked the Muslim World
with their weapons. In making generalizations, they have attacked the values
and beliefs of all innocent Muslims who give special care and respect to Hz.
Muhammed
(S.A.V). It is also necessary to consider again that Muslim World do not
consist of Arabs only!
Franz Fuchsel’s caricature conveyed the message that because he does not
believe in Hz. Muhammed
(S.A.V) or the Muslim faith, he is free to express whatever he thinks and
free to portray any figure in any position. But would he be able to draw a
caricature of Jesus having homosexual intercourse with the Pope? If a
non-believer in Christianity drew Jesus in this way, or depicted him having
intercourse with a ten year-old boy in a way that suggested that Jesus is
responsible for all the corruption in Christian churches, would these same
people still defend freedom of expression? If this non-believing
caricaturist responded by saying that: “I don’t believe in him, so I can
draw him as I please?” would that be deemed a valid defense?
The central issue is thus not one of freedom of speech, but of tolerance and
respect for the values and beliefs of other peoples. Each person is
surrounded with a traditional moral sphere in which he or she carries
fundamental values for life. An attack on these values is the same as an
attack on these people, and it is not the way to promote peace or
cross-cultural understanding.
It was a great surprise that this kind of action could come from Denmark, a
developed country, towards Third World countries that are assumed to be
undeveloped, with low levels of education. Such an action places the
caricaturists listed above in the same basket as terrorists. Do you think
that this behavior is appropriate for European journalists, whose primary
responsibility it is to inform people about world news and to create a
social agenda, particularly in an era where unity, tolerance and peace are
pressing international issues? Should these journalists not carry some
degree of responsibility for common sense? Are these caricaturists not aware
of how they have provoked radical Muslims throughout the world? Would they
take responsibility for their actions if they resulted in another terrorist
attack and the deaths of thousands more?
In carrying the Western European identity, often connoting an open minded,
educated and tolerant attitude, could these journalists not develop empathy
towards people whose place in world did not provide the same opportunities
to develop a similar openness and modern thought?
At this point, it is necessary to raise again the issue of freedom of
speech. If it might cause the death of millions of people, should one still
insist on the free public expression of one’s personal thoughts? As Thomas
Hobbes argued in his Leviathan, does a human being carry all these virtues
to act in the right way when unlimited freedom is given to him? Or because
the nature of man is rooted in war and chaos, and because his mental and
spiritual evolution is incomplete, should there be a limit to his freedom,
in order to protect the welfare of the whole society?
These were questions for the West to address. Let us move now to the Eastern
world.
Before analyzing the caricature debate from the perspective of the Muslim
World, it is helpful to mention that according to the Muslim faith,
representing the image of Hz.
Muhammed (S.A.V) in body or face is a sin – as a holy person, his image can
not be imitated. Looking to the source of this rule, it is possible to see
that displaying or drawing the image of Hz.
Muhammed (S.A.V) has been forbidden in order to avoid deifying and idolizing
Hz. Muhammed
(S.A.V). If we look into the history, we see that Hz.
Muhammed (S.A.V) made great efforts to help people who were deifying and
worshipping handmade idols. Being modest, Hz.
Muhammed (S.A.V) discouraged people from starting to worship him instead. He
devoted himself to a mission of showing people the way of Islam, in which
there are no idols or agents between God and man. But this thought has lost
its meaning, as the blindly faithful began to follow religious rules without
questioning the meaning behind them. In this sense, doesn’t having radical
beliefs and attitudes of this kind mean idolizing Hz.
Muhammed (S.A.V) in the same way that he fought so hard to discourage?
At this point, I want to ask of those who declare Jihad in response to the
caricatures, as well as those who kill and engage in terrorist activities on
behalf of Muslim religion, are they aware of how they cast the name of Islam
into shadow – a name which is rooted in love and unity, a principle of one
being one love, as it was expressed by Mevlana Celaledin Rumi. Are they
aware of how they destroy the social life and identity of all the innocent
Muslim people of the world by creating the impression that all Muslims are
barbarians and terrorists? Are they aware that they are destroying the
image of the Muslim religion instead of protecting it? Are they aware that
in these ways, they incite fear of Muslim religion and limit the spread of
the faith? At this point, would it be rational to conclude that all the
stereotypes and reactions against the Muslim world – including the
caricatures – are the result of such radical and terrorist movements, taken
up on behalf of the faith?
If a peaceful world is what we seek, these questions must be considered by
both sides. If we want to create a world of harmony and peace, we must start
with harmony and peace within ourselves. Peace begins with the world’s
individuals, just as war has.
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